Δευτέρα 21 Μαρτίου 2011

EXCLUSIVE – PHIL COLLEN INTERVIEW

Phil Collen (far right) made his name with Girl before making his fortune with Def Leppard. Now he’s making a new album with Man Raze.
rushonrock caught up with the former dispatch rider on the day new docu-movie I, Superbiker – featuring a brand new Man Raze track – enjoyed it’s UK premier across the country.
And Collen reveals he’s been busier than ever during Leppard’s hiatus – with just weeks to go before one of Britain’s biggest bands returns to the rock scene with a debut live album and a Download headline slot. 
rushonrock: How did the link-up with I,Superbiker come about?
Phil Collen: Mark Sloper, the director, did some Man Raze videos. He told us about the movie and we kind of wrote the song straight away. He said they needed a theme tune, so to speak, and we had something in mind straight away. It’s faster and a bit madder than the normal Man Raze fare but it suits the film. Even the lyrics reflect the film. We’d seen some footage but it wasn’t until we saw the film that we realised it was the right song.
rushonrock: How many Man Raze songs did you record for the movie?
PC: Just the one, although there are a few mixes. I was in LA the week before last putting the finishing touches to one of the mixes and it’s even madder! We weren’t involved in the score as such. Mark just wanted some kind of theme tune and it suited us down to the ground. I’ve done this kind of thing before with Leppard. Obviously we had Two Steps Behind on the Last Action Hero soundtrack and we did some incidental music for that movie. It’s an area that I find really fascinating and given the time and the opportunity I’d jump at the chance to do more movie stuff.
rushonrock: So could this be the start of a part-time career?
PC: The I, Superbiker thing was just a case of having the right song at the right time. When the director first described the film I had a song in my head. He told me a few of the catch phrases which featured in the film and I loved all of that. Some of the language they use is great. They call each other gladiators and it was real fun working on the lyrics. The video for the song is a snapshot of the film and shows just what those guys go through.
rushonrock: Are you a motorcyle fan?
PC: In actual fact I used to be a dispatch rider in London. For three years I delivered stuff. At 17 or 18 you know no fear and you’re flying around London in the pissing rain without a care in the world. But that was then! I bought a bike a few years ago and I was too terrified to get on the thing having come off a few times in my youth. You realise how mortal you are when you ride a bike. Looking at the guys who feature in the movie – I have total respect for them. It’s dangerous just driving in the street but what they put themselves through is unbelievable.
rushonrock: What’s the state of play with Man Raze right now?
PC: We’ve got a record deal for the second album and. If I’m honest, I wasn’t expecting that. But we have a second album’s worth of material ready and work’s already started on recording it. We weren’t really putting that material out there to get a deal but word got round and we had a couple of labels contacting us. We’ve gone with a US label called Rocket Science. I’ve just done a load of press with Joe [Elliott] around Def Leppard’s summer tour with Heart and after that the plan was always to hook up with Paul and Simon to do the new Man Raze record.
rushonrock: How is it different making a Man Raze record compared to making a Leppard album?
PC: It’s a totally different structure. But the two bands want different things. With Man Raze it’s all about the excitement of the performance – with Leppard it’s a very technical process. With Leppard we’d go and do a song in the studio – or do our individual parts – and it was a song we’d never played live as a band. Take Love Bites as an example. That was a total studio song. When it came to the crunch and we needed to include it in our set list we didn’t actually know how to play it live as a band. Then it became our first and only US number one single and we were given two days off on the tour to learn it and work it into our set! With Man Raze it’s a totally different vibe and the songwriting to recording process is a lot more organic.
rushonrock: After your brief hiatus Leppard are back with a bang with the Mirrorball live album and Download headline show to come this summer…
PC: Doing Download again will be fun. We’ll do the US tour with Heart over the summer and then we’ll hopefully come back to the UK later this year. To headline Download twice in three years is incredible really. Just doing it the first time was huge and there are four or five songs from that set featured on the DVD that accompanies the Mirrorball album. That set was really special. As a band we never expected to be asked to do Download again so soon but it’s pretty cool. Everything’s moving very quickly now we have confirmed we’re back but we were never really away. I worked all the way through our so-called time off and I got married! All of a sudden I had no time off at all.
rushonrock: How much of your time off involved working on Leppard projects then?
PC: We’ve been recording. I’ve been recording like crazy! I’ve been doing my stuff from LA – recording it and sending it over to Joe. There are three new songs on the live album and they sound great. But I’m looking forward to getting out on the road again and as long as we look after ourselves we’ll be touring for a long time yet. That’s the fun part.
rushonrock: This first Leppard live album’s been a long time coming – why is that?
PC: There are a couple of reasons really. Firstly the weird thing is that we’ve always recorded everything that we’ve done. But all the energy went into making studio albums and all those live recordings just got left on the back burner. People have been asking us for a live record of Leppard for a long time now and it feels great that we’re finally going to deliver. And the timing’s right. We’re a better band than we’ve ever been and this album followed a five year spell on the road. Like most Leppard records it’s quite polished but that’s the way we are live these days.
rushonrock: Can you give us a flavour of the new material?
PC: The new songs do see the band go in a slightly different direction again to Songs From The Sparkle Lounge. One of them is a real epic. One’s a real anthem and one should have been on Hysteria! I do think in this day and age it’s better to bring out new material as often as possible – even with a live album. A whole studio album takes so long to record and there’s always filler stuff on there anyway. We don’t want to do that really. What we’re doing is offering our fans three pre-mo songs ahead of the next studio album.

EXCLUSIVE: Shinedown Interview

On March - 11 - 2009
shinedown-new2They are one of the biggest selling mainstream rock acts America has seen in recent years.
And yet Shinedown still remain a mystery to the majority of music fans on this side of The Pond.
Quite capable of knocking Nickelback off their perch and the next arena band in waiting, the feisty Floridians are on a mission to carry their metal message abroad.
rushonrock has been backing Shinedown for months but with debut UK album The Sound Of Madness out now what better time to catch up with band’s aptly-named bass player, Eric Bass?
rushonrock: You’ve been going for eight years now but you’re still relatively unknown in the UK. Why is that?
Eric Bass: First of all let me say what an absolute honour it has been to finally get to play in the UK! We never really got the chance to tour over there before now and I think that really hurt us. We are and always will be a ‘grass roots’ kind of band. We tour relentlessly and have a very close relationship with our fans. We like to interact with them on stage and off. So, the fact that we haven’t gotten that chance in Britain is what I think has kept us very much unknown. Not to mention the fact that The Sound of Madness is the first of our records that has really ever gotten any exposure in Europe.
rushonrock: Why is now the right time to bring Shinedown to the British masses?
EB: We feel that The Sound of Madness is the strongest record that Shinedown has ever put out. The heavy tracks are the heaviest the band has ever done, and the ballads are some of the most epic sounding songs we’ve done. We are also clean and sober now. We do still enjoy our beer but the hard drugs and pills are gone. The band is simply at its strongest point ever. What better time to introduce ourselves than now!
rushonrock: The Sound Of Madness has been available in the US for the best part of a year now so are you still enthusiastic about pushing the record here?shinedown-sound-album
EB: Absolutely, without a doubt! Like I said before, we tour non-stop. The fact that we can bring our sound to a brand new fan base is the best feeling in the world. The shows that we did in there in January have given us some of our most fond memories to date. Seeing new faces in the crowd, and listening to those individuals singing your songs back to you is an indescribable feeling. The day that this band is not enthusiastic is the day that we are all dead. I can promise you that!
rushonrock: What is it like living in two different eras? You’re constantly playing catch up outside the US but back home fans will be demanding the follow-up to SOM – how do you cope?
EB: I guess we don’t really see it that way. We are going to tour on this record until the wheels fall off of the bus! Making The Sound of Madness was an 18 month process. Hopefully our US fans will see that the wait was worth it and be patient with us in the future. That will give us time to finish our touring cycle in Europe before starting on the next record. We are demoing songs out here on the road all the time though. Shinedown is always looking to the future. That’s what drives us. Being in demand is the best case scenario I feel!
rushonrock: Similarly you’re an arena band back home and still a club size band in Britain. Is it hard to adjust or do you enjoy going back to basics?
EB: We absolutely love it! The feeling that you get playing in a hot, sweaty club is great. The thing is, I didn’t realise how much I missed it until we got over to the UK and did those first few dates. We were playing at King Tut’s in Glasgow and there was no barricade. I had a fan down front who was hitting some of my foot pedals for me! We could touch the fans and they got our sweat all over them. It was an amazing show! I wouldn’t have traded that show for 20 arena shows!
shinedownrushonrock: When you started out in 2001 what did you hope to achieve from being in Shinedown?
EB: I don’t think Shinedown’s goals are any different than any other band’s. We want to reach as many people as we can through our music. We want to help people, and at the same time enjoy ourselves. I personally want to entertain people and maybe just for a night they can forget about everything else in their lives and have a great time.
rushonrock: Why should British fans who don’t know about Shinedown rush out and buy the record this month?
EB: I think that The Sound of Madness is a great record. I am a music fan. I like buying an album that you can put on and listen to from front to back and not get tired of it. One that you love so much that you never skip a song. I would like to think that we have come close to doing that. And as a music fan I am proud of it.
rushonrock: Are there any British bands who have been an influence on your music or who might still be influencing you today?
EB: Funny you should ask. Muse is my favorite band and have been since I bought Origin of Symmetry years ago. I think Absolution is one of the best records front to back that I have ever heard. So, they are a huge influence on me. I also have a record by a band called Athlete. The album is called Vehicles and Animals. I love that CD! Then there are the ones you would expect like Radiohead and Coldplay. Great bands, all of them.
rushonrock: When you come to the UK what do you look forward to most?
EB: My ancestors are from England so I feel like I’m home a bit when I’m there. Barry and I love finding a good pub and trying out the different beers as well. We are both huge beer drinkers. Last but not least we love seeing new fans at the shows. They are the reason why we are able to do what we do!
rushonrock: How is the global credit crunch affecting you?
EB: When it comes down to it, right now, it’s the difference between making money and breaking even. We aren’t going to scale back our shows because of money. We choose to bring a big rock show to the people. They pay their hard earned money to see us play, and we’re not going to let them down. So, because of that, we take a huge hit right now. I feel in my gut that it will get better though. It has to. The unfortunate side is that no one is immune to it. Everyone the world over just needs to remember that we are all feeling it  and we all have to unite and help each other through it. Shinedown isn’t going to let it stop us though!

Σάββατο 19 Μαρτίου 2011

The Diary of Ben: An Interview with Breaking Benjamin’s Ben Burnley


Pennsylvania rock band Breaking Benjamin released a new album called Dear Agony in September ’09, and on the same day three of their hit singles came out as Rock Band DLC – “So Cold,” “The Diary of Jane,” and the first single from the new album, “I Will Not Bow.”
I had the opportunity to sit down with Breaking Benjamin singer/guitarist Ben Burnley when they were in town, and talk to him about music games, writing songs, and what it’s like touring with bands you’ve toured with a lot. We spoke on the tour bus, so you may hear some odd noises – the heat turning on and off (it was a chilly 21 degrees in Lowell, MA that night), the walkie talkie squawking, and the bus door opening and closing.
The band went on to play a high-energy show playing their three Rock Band tracks, plus “Blow Me Away” (featured in Halo 2), “Fade Away” (a song from the new album Ben mentions as being fun to play live), their first single ever, “Polyamorous,” and more.
Listen to the interview below, and click here for more pictures from the show.




Breaking Benjamin logo

Christine Jandreau: It's Christine from RockBand.com here with Ben from Breaking Benjamin.

Ben Burnley: What's up?

CJ: So you guys have three songs in the game. You've got "So Cold," "The Diary of Jane," and then the new single "I Will Not Bow." Have you had a chance to play them in the game yet?

BB: Not yet, because I don't own the package or anything like that.

CJ: We can take care of that.

BB: Awesome. That's what I was hoping.

Both: [laughs]

CJ: Yeah, we can definitely take care of that. So do you play music games at all? I know you're a big gamer.

BB: I'm a huge gamer, but I usually stick to first-person shooters and stuff like that because, you know, I play guitar for a living, so the last thing I want do really is to play a game that's like my job.

CJ: Sure.

BB: I mean, like playing Interview: The Game, you wouldn't want to do it. But I do every now and then, but more so in a social setting. Like if everybody's hanging out, having a good time or whatever, then we'll bust it out. But the last time I played was, I don't know, when it first came out. A long time ago a buddy of mine had it and I sucked at it.

CJ: So you guys have been a band for about ten years now, right?

BB: Yeah.

CJ: Some of you have settled down and gotten married and had kids. Has that changed the band dynamic at all, or how you go about writing and recording?

BB: No, I mean I'm the primary writer in the band, so my style has grown as I've grown older, but it's not anything drastically different, I don't think. It's just more, now that I'm sober too, it's more thought out and more planned out.

CJ: You guys have a brand new album out. It came out in September. It's doing really well on the rock charts - "I Will Not Bow" is number one on the rock charts.

BB: Yeah, it's hung in there pretty tough.

CJ: And it's great in the game, by the way. The Rock Band community was thrilled to get Breaking Benjamin in the game.

BB: Awesome.

Ben Burnley on stage

CJ: Can you tell me a little about the process of writing and recording the new album?

BB: It's like I lock myself away and write and write and write. And kind of take probably a hundred songs and cut the best bits out of those and make ten songs out of that. It's more like a puzzle kind of thing, like a Frankenstein kind of thing. With certain songs, I'll take the chorus from this song and the verse from that song, or the riff from this song and a riff from another song and that'll be the bridge. It's all fair game when it comes to writing. Even if a song is in a different key, I'll take it and move it to the key or whatever. I usually do it that way. I usually just write a lot of songs that are similar and chop them up and make one good song out of like ten mediocre songs.

CJ: You guys are on tour with Three Days Grace and Flyleaf now, and you've been on your with Three Days Grace a couple of times before - back when Phobia came out, and before that you guys were with Evanescence. Is it different touring with a band that you've toured with a lot?

BB: Yeah, it's really comfortable because you know everybody and you don't feel like…sometimes when I'm on tour - and I can only really speak for myself - but when I'm on tour in particular and I don't really know the main act, I kind of feel like [I'm] in the way a lot of the time. I try to hurry up with soundcheck, although I do [that] now anyway because it's just a consideration thing, but even just walking around in the hall you kind of feel like it's somebody else's deal and you're just there and in their way. That's how I feel. With this, we're all friends and stuff so it's like, who cares really? And it's just a really comfortable environment because we've known each other since…their first album and our second album. Because we had an album come out before theirs. So we've known them for almost their whole rock career and vice versa. Because they toured with us with Evanescence too. We've actually toured a lot with Three Days Grace. Probably most of our touring lives have been with them.

CJ: I've seen you a few times and I think two or three of those times were with Three Days Grace.

BB: Yeah. But it's a great package, and people are still into coming out and seeing it and that's why we continue to do it, other than the friend thing. That's kind of like a bonus to go with the familiarity and stuff like that. And our albums came out around the same time, so the timing was great. And we just figured, why not? And Flyleaf too - we toured with them before their actual album came out. They had an EP of that album and we toured with them on that, so we've known them forever too, so it's a really awesome package


Ben Burnley on stage

CJ: So, you guys have always been a band that seems to really connect with their audience during the live shows. Do you have a favorite song to play live?

BB: You know, it's like a fine line between songs that are fun to play musically and songs that are fun to play because they're so familiar. So like all the singles I really enjoy playing because everybody knows them, and you get a good vibe when you get the people that actually recognize what's going on. But then there's songs that are fun to play technically. Like there's a song called "Fade Away" that's new that we have. It's the first song off Dear Agony, and that's really fun musically to play, but it's not a single, so only like 70% of the people know it. But still, it's cool and gets a good reaction and stuff. But "Diary [of Jane]" is fun, because as soon as I start playing it people are like [crowd noise] because they know what it is, and that's what's fun about it.

CJ: I know "Shallow Bay" has always been a big one for you guys live. Even the website is [named that].

BB: We haven't played it in a long time, because you only have a certain amount of time to play and the more albums you have, you have to start cutting older stuff out. It's either that or cut newer stuff out, so it's kind of like, well, we're out promoting the new stuff so it makes more sense to cut older stuff. So we haven't played that in a really long time just because we don't have enough time.

CJ: I've got one last question for you. Do you have any advice for fans that may be thinking about taking the leap from plastic guitarring up to real instruments?

BB: Well I think, absolutely. I think it should always just be fun, and the minute it stops being fun, you might want to evaluate and look at things a bit differently. Because you can get in a professional situation where it's kind of not fun anymore and you're just going through the motions and stuff. But there's things you can do to try to keep it that way, but definitely, stay true to what you're doing and just try your best to have fun at it. Take it seriously, but not too, too seriously.

CJ: Anything else you want to tell the Rock Band community?

BB: I just want to say thanks for having us and I think it's about time. Because I'm an Xbox gamer, you know what I mean. And I posted my Gamertag on our website and I've gotten so many messages of people [saying], "Why aren't you on Rock Band? Why aren't you on Rock Band?" and now I can finally say, "We are!" It was getting kind of like, "I don't know. Why are you asking me? Go call them." So I'm glad it came through.

CJ: The Rock Band community, pretty much that was the response we got was, "Finally, I've been waiting since the game came out to play these songs."

BB: Well I didn't understand it either because you know, I know the aspect of it as you gotta put something on there that's successful, you know? I understand that, and we did have stuff that was successful, so it was like, well I don't know why. At least like some kind of DLC with one song? Just something, you know. So it's awesome, and we thank you so much for having us on there.

CJ: We're happy to have you on there. Have you heard about the program we're doing now called Rock Band Network where anyone can put their tracks into the game?

BB: No.

CJ: It's for any of the artists that own the copyrights. They can either do it themselves or hire somebody to chart the tracks for the game, and it gets put through the XNA - the Xbox Live system - and can get sold in the store just like any other DLC track.

BB: Like DLC? That's cool. Maybe I'll put my demos on there.

CJ: I'm sure the community would love to get anything else from you guys.

BB: I'll check it out, cool. I'll definitely check it out.

CJ: Well thanks for talking to us.

BB: Thanks for having me.

Adam Gontier of Three Days Grace

Adam Gontier of Three Days Grace  

Q: How did the band form?

Adam: We all met in high school, grade nine we were like 14 years old. We basically met each other thru mutual friends and we all liked the same sort of music. So we got together and started jamming in each other's basements and attics. That sort of thing. We took it from there and eventually made our way to Toronto, Canada. We're from a small town (in Ontario), so we had to get somewhere that had quite a music scene. Toronto had a good scene so we moved there and started to take music really seriously. That was around 1997. That's how we formed anyway.

Q : What was the small town in Ontario your from?

Adam: Norwood, Ontario. 1500 people. One set of street lights. Not much going on really in the way of music.

Q: Is there a hidden meaning behind why the band chose the name Three Days Grace?

Adam: No, we sort of look at Three Days Grace, as it sort of stands for sense of urgency. Time to pay a debt. if you had three days to change something in your life or if wanted to changed something in your life could you do it in three days. That sort of urgency, I guess.

Q: What makes Three Days Grace different from other bands?

Adam: There's a lot of great bands and great musicians. For us it's not something we think about. We don't try and compare ourselves to other bands. We like a lot of bands and musicians. The main thing for us is it's always been about playing live. We love to play live. When we first started that was what we always wanted to do. To get on tour and wake up in a new city every day and play to new people every night. There's a lot of bands out there that focus on making a great record and just writing hit songs and trying to make money off of a good studio sounding record. That's not really what were about. Were more about actually performing and putting on good shows.

Q: Is it harder for an Underground band to get discovered then sign with a major label like Jive?

Adam: Yeah, I guess. We were together for ten years before we even ran into the right people that were going to help us out. It's definitely tough if your a musician; you have to decide what route your want to take. If you do want to get signed you can, it's not impossible. You have to meet the right people and if you network with the right people like producers and publishers I think you can do it.

Q: Did the band ever get frustrated that success wasn't happening soon enough?

Adam: Yeah for sure. We were together long enough and spending enough time in Toronto, trying to get out there and play shows. Play to more people. Basically in the early stages of the band we were just playing to our friends and family. It was like that for a while, until we built a buzz for our self and had people coming out. It's tough. There were definitely times we considered quitting; giving it up. It comes down to the love of music. We all love music. We stuck through any hard times we had.

Q: How difficult was it for the band to get airplay?

Adam: It's pretty hard in a big city like Toronto, 3 million people, you don't get airplay at all unless your signed and have a lot of money behind you. That sort of thing. The smaller town were originally from we had a big listening party for the first time our song was on the radio. We put out an independent CD and the radio station in the small town had picked the song to play. We had this tailgate party with all of our friends. I guess, If your an Independent band it's definitely tough. After you get a label behind you it's easier.

Q: What went thru your mind the first time you heard I. Hate Everything About You on the radio ?

Adam: I was blown away. Because our song was squashed between somebody like I think it was Linkin Park and Audioslave. I had heard our song million times before that. But hearing it on the radio between those two bands was really cool.

Q: How long did it take to produce the album and make the music videos?

Adam: We spent roughly six months recording the record. The songs on the record were written over the course of ten years. The videos like most videos took us a day.

Q: What was the inspiration for the song, "I Hate Everything about you"?

Adam: The song is pretty blunt you know? It's to the point. It's about realizing there's something in your life your wasting time on. I think everybody, even in this band and a lot of other people have felt that way before at one point or another in their life. Whether it's a person, a relationship whatever it is your just wasting time on it. The song is a realization of that.

Q: I've heard a lot of people call it the ultimate Love/Hate relationship song. Do you agree with that analysis?

Adam: Yeah, sure. I don't know if it's the ultimate but that's definitely what its about. Love hate relationship.

Q: What about "Just Like You" ?

Adam: Its about being told how to live your life. When we were growing up we saw it sort of first hand. A lot of our friends were pushed into doing jobs their parents were telling them to do. It's about being pushed around and told how to live your life and standing up for yourself.

Q: Were your parents ever trying to tell you don't be a musician?

A: No, my mom is a musician, my dad loves music. They were supportive. I grew up with a lot of people who were into music and art that were told they couldn't do it.

Q: What's your personal favorite off the album?

Adam: "Home" is one of my favorite songs. It hits a spot with me. It's a fun song to play live as well. It's tough to pick a favorite. But because of the amount of energy we give it live I'd say it's "Home."

Q: How did the band get involved with Livestock 14 (98 Rock of Tampa) and EDBD XI (Real Rock 101 one of Orlando) radio show festivals?

Adam: Touring in the summer it's nice to play the radio festivals. The bills are stacked with really great bands. We basically told our management any radio station festivals or any sort of summer festival we can do we want to be involved in. We have people in our crew working for the band trying to get us into those shows. We've done a lot of Radio shows and they've been great.

Q: Any chance the band will do those shows again next year?

Adam: Yeah, hopefully. I'm sure we'll come back next year.

Q: What are some of the pluses and minuses of playing a show in a bigger venues compared to playing in a smaller venues?

Adam: They both have pros and cons, I guess. Just playing shows in general is fun. I think the one thing about playing a really big venue like an arena you sort of get separated with the crowd. At least a twenty or thirty foot gap between you and the people in the first row. Which separates you from the audience a little bit. But the good thing about playing a big show like that is when you go on there's at least five or six thousand people that are going to be watching you. You play to a lot more people in a big venue. In a small venue it's a lot more intimate and you pick up the vibes from the audience and that's what it is about for us picking up the vibe from the audience.

Q: Can you give me a couple of examples of how the band is spontaneous in concert?

Adam: It's really tough when your doing an opening slot like what were doing here with Evanescence. Our sets are short, 30 minute sets. In that scenario we have a set that we play and we stick to that. When were headlining in a club we have a little more of an opportunity to improvise. We have a couple of little parts in the set where we mess around and just jam sort of thing.

Q: What will be the first and last song for tonight's show and how does the band decide this?

Adam: First song will be "Burn" and the last song will be "I hate everything about you" Burn is the first track off the record. It represents what this band is all about. That's the reason why it's the first song. We want to introduce the people in the crowd to the band. In that sense, Burn is the right song to open with. I hate everything about you is just a good closer. People like it.

Q: What do you think the future holds in store for Three Days Grace?

Adam: Lots of touring. I have a feeling we're going to be on the road forever. We're going to tour and work on the new record the beginning of next year. Until then we're going to tour and when the second record is done were going to tour.

Q: Any Idea when the new record will come out?

Adam: No, were not sure exactly when it will come out. All we really know is were coming up with Ideas now. Sometime in the beginning of next year we'll get into the studio. Probably a few months after that we'll put it out.

Q: Do you have anything you would like to say to your fans?

Adam: Thanks for being fans of our band. It's nice to see people. Were from so far away when we come to a new place and meet new fans it's amazing. We want to thank the fans for liking the band and digging the music.

Q: Adam thank you for your time, I wish you much success.

Adam: Thank you very much.

Evanescence's Amy Lee

Evanescence's Amy Lee

Evanescence singer Amy Lee is over the drama.
"There's a lot of bullshit related to that band name for me," Lee tells SPIN.com, "but I'm ready to move past it. I've realized that Evanescence is who I am."
She's not kidding about the bullshit. Since their 2003 Grammy-winning, multi-platinum debut Fallen rocketed the Little Rock, AR, natives to world stardom, the group have been plagued by in-fighting and lineup changes, beginning with the departure of co-founder Ben Moody. In a very public 2006 spat, the last remaining original members -- guitarist John LeCompt and drummer Rocky Gray -- left or were fired, and soon joined Moody to form We Are the Fallen with ex-American Idol finalist Carly Smithson on vocals.

Evanescence is also moving on. The goth-rock outfit will release their first album since 2006 this September, with a new lineup -- and a new sound.
Lee, guitarist Terry Balsamo, bassist Tim McCord, drummer Will Hunt, and the band's newest member, producer, songwriter, and studio whiz Will "Science" Hunt (that's right -- the band has two guys named "Will Hunt"), are recording the album in a New York studio with producer Steve Lillywhite (U2, Rolling Stones). And they're taking Evanescence's characteristically heavy, goth-rock sound in an electro-pop direction inspired by Lee's favorite bands: Massive Attack, Bjork, and Portishead.

"The album has sounds that are distorted, changed, reversed," says Lee. "There's a lot of that fun stuff going on."
Below, she tells SPIN.com more about the record, her former bandmates, and her favorite hobby: painting.

How did you get a second guy named Will Hunt in your band? That's freaky.
[Laughs] Well, part of getting back to Evanescence was the new Will Hunt. I met this Will -- I call him Will "Science" Hunt because he does a lot of programming and beats -- when we recorded "Sally's Song" for Nightmare Revisited.

Evanescence took about two years off. Why return now?
For a long time I didn't know what I wanted to do. I really love scoring film and that was definitely where my head was. I took a few stabs at doing that, but then I started writing more songs. I had such a good time in the studio with Will "Science" Hunt recording "Sally's Song" -- it was a cool, free, creative space. So we thought, "Why don't we just try writing an original song?" He has a studio in Forth Worth, TX, and we spent two days down there writing and a new song came out that was so different -- it was dark and inspiring. It was a groove that I hadn't found in a long time. So we spent all of last year writing like crazy and somewhere halfway through I said, "You know, I think we're writing an Evanescence album."
Tell us about that first song you guys wrote
"Hi-Lo." It's a working title. It's going in an electro-pop direction -- there are no organic instruments. It's a Portishead or Massive Attack direction, and lyrically it's about moving on, but in a very non-confrontational, non-angry way. It's just, "Hey, everything that happened, I'm over it and I'm not mad at you."

Will fans of Evanescence's heavy sound be surprised?
Well, it's definitely still heavy. Like The Open Door, the new songs are a rainbow of sounds. But this album spreads out even more. There are moments that are amazingly heavy, but then there are moments that are completely stripped down.

Did you write the entire album together?
Most of it. He was definitely my big inspiration and co-writer. Some songs I wrote by myself, and I wrote a little bit with Terry [Balsamo, guitarist] and Tim [McCord, bassist] as well. I have a studio in my home and I flew Will "Science" out here a lot. And we'd work by ourselves then email each other ideas to play with, sort of like a Postal Service method. The songwriting and sound is inspired by a lot of our mutual loves -- Bjork, Nine Inch Nails, and music with a lot of programming and sounds that feel larger than life.

How did you hook up with producer Steve Lillywhite?
We decided it would be good to have another brain in the room to provide some perspective, since we've been living with the demos for so long. Steve Lillywhite randomly called my record label said, "Hey, what's Amy Lee and Evanescence doing? I'd really like to work with her." I thought that was really interesting. I honestly wouldn't have thought of him if he hadn't called. So we went to lunch and I showed him some of the songs. He really loved them and wanted to do it!

It's an interesting fit, considering his work with U2 and the Rolling Stones.
True. And this album isn't going to sound like either of those bands, that's for sure. It's not an organic record. Our idea is to take synthetic and atmospheric sounds and find a way to blur the line between organic and synthetic.

Is this direction a byproduct of listening to any new music?
I think so. There is something really cool happening in music right now. There are bands that sound like they're from another time -- it's like '80s throwback music with analogue synthesizers and Moogs. I love it. I've been listening to a lot of La Roux.

Is there a lyrical theme?
I write about what I'm going through at the time. There are moments of, "Hey, I'm over it and I'm good" and others of fun sarcasm like, "Hey, everything's not the most dramatic thing in the world." But it gets really, really, really deep in places, too. That's probably why it's been really hard to pick an album title. [Laughs] But lyrically, it's a more real version of myself. I'm saying things that I would've been afraid to say before. I'm more confident and more comfortable.

When we last spoke in 2008, you were writing Celtic inspired songs for a solo album. Any plans for that?
I was in a very different creative space then, before hooking up with Will "Science." I wrote a couple of songs that are good, but in a totally different direction. Nothing from that period is making it to the new record.

Other than music, what does Amy Lee do in her spare time?
I love to paint. I've been working on this one painting for a year and a half. It has a lot of tiny sea creatures and I keep going back to it, but it has become this daunting project. When I need to free my brain, that's one of the things that I do. I have also been playing the harp. When Evanescence took time off, I bought a big concert harp and started taking lessons like I was in high school again, which was really, really fun. I felt like I was learning again. I'm definitely going to use it on this album.

What are your thoughts on We Are the Fallen?
I don't have any. I doesn't have anything to do with me or Evanescence.

Would it be safe to say that you haven't talked to Ben, John, or Rocky?
Oh yeah, that's very safe to say.

It sounds like you've over the drama and revitalized.
I am, definitely. I'm in a new headspace. I'm good with me and I don't need everybody else's approval.

Interview with 3 Doors Down Guitarist Chris Henderson

Interview with 3 Doors Down Guitarist Chris Henderson

Feb. 10, 2003



3 Doors Down has seemingly succeeded in breaking the sophomore jinx that seems to curse most bands that come from nowhere and dare to reach for the stars and find platinum success. From basement pubs to large amphitheaters these boys have sprung from obscurity like a rocket fueled slinky. The band believes in it's music and their sincerity bleeds through every sweat drenched chord. Fans might be fickle, but good rock 'n roll is true.
Livewire's Phil Bonyata got the chance to sit down with guitarist Chris Henderson backstage before a recent performance.




Livewire: Do you consider Away from the Sun an extension of The Better Life or are you moving in a new direction?

Chris: Yeah, it's a totally different direction. It's not an insanely different direction, but the first record was more all rock you know, grab the guitar and go with lyrics that had some feeling because Brad's a very gifted lyric writer. This new record was more of the music evolving, it wasn't like this is a great riff, let's write a song that fits that where as we put a lot of effort into writing this one. The Better Life kinda came to us, just one of those freaky things where we'd write a good song and then another good song and then another and another.

Livewire: It's been over two years since the last album right?

Chris: Well, we took some time off because we stayed on the road for so long that we just kinda wanted to hang around the house and do a brain dead. So, we stayed off the road for about three months and did nothing. We did this record in about five months - from start to finish.

Livewire: Does any particular song on the new album blow you away?

Chris: You know what, I usually don't listen to our records after they're recorded because I've already heard them so much. But, I actually started listening to the new one, but for whatever reason after The Better Life was done - that was it. I have not heard it since. I was at an autograph signing and they played our new one in the background and I'm like "wow" it was "The Road I'm On" and it's when that chorus kicks in my hair just flies off. I love that song.

Livewire: Are you writing a lot of new material while on the road?

Chris: We are, but we don't try to force it like "Today's Monday and we're gonna write five songs" - we don't do that. We just kick things around and on the next sound check I'll throw an idea to Matt and Matt will throw one at Brad and blah, blah, blah and vice versa. That's how we do it at soundchecks just throwing around ideas. In Puerto Rica we had some time with a guy doing something with the PA and we're just messing around and five minutes later we wrote a song and played it that night and ever since.

Livewire: Do you prefer writing music for ballads or heavy rock n' roll?

Chris: I can go either way depending on what's happening at the time. I'm a big fan of music in general, so writing is something I enjoy all the way around. I could write rap as long as I think it's good music.

Livewire: Do you pattern your guitar style after any particular guitarist?

Chris: Well, I take a lot from a lot of different people. As far as rhythms and technique - I don't think I take a technique from any one person. I listened to a lot of music growing up - I mean a lot of music, so what I did is I took 15 years just to listen to music. There's three guitar players from Lynyrd Skynyrd - Gary Rossington, Steve Gaines and Allen Collins and even the new guys. I just love the way those guys play. I always have and I always will and that's where a lot of my inspiration comes from. You can hear their style in some of my solos. I never noticed it until after I heard the record. I've read all of their books, listened to all their records and copied all of their licks through the years. How could you not love Skynyrd? I remember the day half the band died in that plane crash - I was real young.

Livewire: How old are you?

Chris: I'm 31. I'm the old timer, the rest of the guys are 22.

Livewire: Any new band coming out that lights your fire?

Chris: Uh, right now...(long pause) it's kinda hard to say because a lot of the music that comes out today sounds like music that came out last week. I'm pullin' back to my roots and listening to all of the older stuff. As far as new music now I really don't listen to too much radio and I'm playing every single day, so when I'm on tour I really don't pay much attention. I am anxious for the new Linkin Park though and excited to hear the new Tantric. I'm' a big fan of theirs. Right now what I'm listening to is some progressive stuff. Listening to the radio now or watching MTV is stuff I just don't have time to do.

Livewire: What is the state of rock 'n roll right now?

Chris: You know, honestly I feel that in this day and age right now there are too many rock bands that have went mainstream - us included. Not on purpose - it's just the way it worked out. We had our crossover smash and Nickleback had their crossover smash and Creed is everywhere. People are just like - ugghhh - "come on guys, we want something else." I don't like when bands write a record that sounds like the one they just did and they just keep doing that. It's gotta go sideways and until that happens people are going to start listening to Nelly. They want something different. Until rock 'n roll changes a little bit its done. Like umm, what's her name ...Norah Jones has some good shit there. People need that and that's what we're trying to do as a band - grow, but we have to take baby steps to grow. It's kinda tough 'cause rock n' roll is what it is. Some of the music from the Vines and the Strokes are good on record, but I hate seeing them live. I saw the Vines live and I almost threw-up. I love the record, but I thought to myself you guys gotta do something onstage. I hate to talk about other bands though.

Livewire: Does 3 Doors Down have any cliques within the band?

Chris: I'm allergic to cigarettes, so on the road I have to stay in a non-smoking environment or I get sick.

Livewire: How do you play in all of those smoke-filled clubs?

Chris: I just have to deal with it. I can't go to casinos and other places like that for long because I get all locked-up. We had to seperate the band, Brad and Matt smoke cigarettes plus our tour manager. Me and Todd and our drummer don't, so we just split the buses up and that helps. It also helps because the band is separated from each other from those long 18 hour drives, so we're not all up in each others face.

Livewire: No tour jet yet?

Chris: No, just the bus and the jets are for the Rolling Stones. No bodyguards either (laughs).

Livewire: Are there creative battles within the band or is it all just sweet harmony?

Chris: We're all good to go. Everybody writes their own parts and we don't step on each others toes. When it comes to writing we each have our roles and you're able to do whatever you want to do within your role and even without. You can step into someone else's shoes if it's ok. Sometimes it is and sometimes it isn't. But, nine times out of ten - it is because you're not trying to take someone else's part and trying to make it your own.

Livewire: What is your role?

Chris: I'm a guitar player - that's what I do and I don't really get into lyric writing at all because Brad's so good at it. He doesn't need me to bring him down. I write my own music just for myself and it's not near as good as what he writes. I don't even pretend to be a lyric writer as far as Brad goes. He does what he does and he doesn't tell me anything about guitar. If he doesn't like the part I just do something else. It's the way it works.

Livewire: Is Brad the leader of the band?

Chris: He's the lead singer. If you think about it as each persons job or role or as the band as a train and everybody's in the main engine with each one of us with a hand on a brake. I can pull my brake and slow the train down, but I can't stop it. Brad can stop it.

Livewire: You have a new drummer?

Chris: Yeah, we have a brand new drummer with a whole different sound. His name is Daniel Adair. He's from Toronto.

Livewire: What happened to drummer Josh Freese?

Chris: He just decided he wanted to do his own thing. He now has his own band that he's the leader of. He writes the songs and he wanted to give it a shot since he was an established touring drummer. He thought it would be a good shot, so he got a deal and they're coming out. They're called Slate 44. You should be hearing of them soon - they're good.

Livewire: If you could tour with any band - who would it be?

Chris: (without hesitation) Rush. I'm a big fan of Rush. Alex Lifeson is a good friend of ours. Either Rush or Lynyrd Skynyrd.

Livewire: Being on the road is not all that romantic is it?

Chris: No, the road is like..the romantic thing about being on the road is the hour and fifteen minutes you're playing up on stage and everything leading up to that is the grueling part. The traveling, the crappy food, the crappy hotels...

Livewire: What is the wildest thing to happen to you while on tour?

Chris: We're flying from Bahrain which is off the coast of Saudi Arabia. We played a show for the troops and we're in an overloaded plane with all of our equipment and people. There were some Air Force pilots sitting in the front two rows of the plane. For whatever reason the Egyptian military will only let us use their airstrips and refuel, but nothing else. You park the plane, get your fuel and get on outta there. You only have a two minute window and once they clear you to land you have just two minutes to hit the ground. So our plane comes down for a landing and we're about 20 feet from the ground when all of a sudden the gas goes on and the plane tries to get back up and it almost doesn't. You know why we almost crashed? (laughs) There was a camel on the runway.

Livewire: Did the camel have one hump or two?

Chris: (laughing) I don't know, but I had my digital camera and I thought what a great idea it would be to get a shot of the look on my face as the plane was about to crash and to see the stress in my eyes. I got the shot and you outta see it. You wouldn't believe the look on my face!

Livewire: I'm sure Henri Cartier-Bresson is smiling right now.

Chris: (laughs)

Livewire: Are there a lot of groupies and drugs on the road?

Chris: No, I personally don't do anything at all. I don't even drink coffee. I don't do anything bad for me at all.

Livewire: What about groupies?

Chris: No, I'm married with three kids. The band was on the road before I was married and groupies are something you can have if you're into that. Some guys do, but not this band really we do some partying and not the groupie thing.

Livewire: Are you telling me the band is pretty clean?

Chris: Yeah, pretty much. I mean, Brad likes to drink his screwdrivers and Todd drinks beer. He used to be the wild one, but he's married now. I couldn't handle the road and partying like that - my body would just shut down. You don't get much sleep and when you do sleep it's like hungover sleep which is not good sleep.

Livewire: What was it like to play on the USS George Washington off the coast of Portugal last October?

Chris: It was a cool experience. I spent some time in the military - in the Navy as-a-matter-of-fact. It was cool to look at a ship from the outside and not have to swab the deck. I got to look at all those guys in the Navy in a different light. They're giving up their lives in some cases to protect this country. There's a lot of people that believe the military's a joke and the President is a dumbass and blah, blah, blah, but the military is definitely not a joke. Who knows about the President? Alls I know is that our military gives up everything and they're not doing it for the money - they're doing it because they love their country. Even if they went in for different reasons they're still fighting for you and me. If it wasn't for them we'd all be speaking German right now. I'm behind the military 100%.

Livewire: How many videos have you shot for the new album?

Chris: We've done two for "When I'm Gone." We did one back home with our families. My wife's in it, Brad's wife's in it and my kids are in it. You can see the video on Canadian TV. It's also on Much Music USA. What you see in the States is our second one - the Navy video. They just filmed everything we did overseas. All the live stuff is off of the George Washington.

Livewire: I heard some people cried after watching that video?

Chris: The label made the video unbeknownst to the band. They edited it and everything. After I saw it - it was like (pretends to cry) and they were like "must be a good video, because people are getting all emotional about it." So, we voted and here it is.

Livewire: So you're not afraid to cry?

Chris: I'm a big sissy! I cried when Old Yeller died.

Livewire: How is your friends and family handling your success? Is there any jealousies?

Chris: Yeah, there's a little bit of jealousy even within the family. I have a brother who's a musician and he's been trying all his life to be successful and he is successful, you know, but this was his dream as well - what I'm doing. And here I am I work in a shipyard for 40 hours a week and play my guitar in bars every weekend and I get a chance to do it for a living. There's some jealousy there, but he would never admit it. If I was in his shoes I know I would feel it in the pit of my stomach. Other guys in other bands that I grew up with and played with... those are the worst because they thought (deepens his voice) "it should have been us." Who knows how or what or why we're the lucky ones.

Livewire: Do you think you'll ever reach the multi-platinum success of The Better Life again?

Chris: This new record may not go 18,000 times platinum like the first one, but we're already one-time platinum and it's only been out since November 12th. It's on the fast track - we're still selling some records and I think we might not have the same degree of success because there is no "Kryptonite" on this record. I mean how do you do that again?

Livewire: What can you always guarantee to 3 Doors Down fans - no matter what?

Chris: What you see is what you get from this band. We don't shoot pyro and throw lasers into the crowd and we don't spit blood and we don't swing from wires. We're just five guys playing rock 'n roll, so I think honesty is the word. That's what this band is all about. We just want to play music. That's what this thing is all about.

Evanescence - Everybody's Fool Lyrics

 
"Everybody's Fool"

perfect by nature
icons of self-indulgence
just what we all need
more lies about a world that

never was and never will be
have you no shame? Don't you see me?
you know you've got everybody fooled

look here she comes now
bow down and stare in wonder
oh how we love you
no flaws when you're pretending
but now i know she

never was and never will be
you don't know how you've betrayed me
and somehow you've got everybody fooled

without the mask where will you hide?
can't find yourself lost in your lie

i know the truth now
i know who you are
and i don't love you anymore

it never was and never will be
you don't know how you've betrayed me
and somehow you've got everybody fooled

it never was and never will be
you're not real and you can't save me
somehow now you're everybody's fool

Παρασκευή 18 Μαρτίου 2011

3 Doors Down - Away From The Sun


It's down to this
I've got to make this life make sense
Can anyone tell what I've done
I miss the life
I miss the colors of the world
Can anyone tell where I am

'Cause now again I've found myself
So far down, away from the sun
That shines into the darkest place
I'm so far down, away from the sun again
Away from the sun again

I'm over this
I'm tired of living in the dark
Can anyone see me down here
The feeling's gone. There's nothing left to lift me up
Back into the world I've known

'Cause now again I've found myself
So far down, away from the sun
That shines into the darkest place
I'm so far down, away from the sun
That shines to light the way for me
To find my way back into the arms
That care about the ones like me
I'm so far down, away from the sun again

Oh no,
Yeah,
Oh no,

It's down to this
I've got to make this life make sense
And now I can't tell what I've done

And now again I've found myself
So far down, away from the sun
That shines to light the way for me

'Cause now again I've found myself
So far down, away from the sun
That shines into the darkest place
I'm so far down, away from the sun
That shines to light the way for me
To find my way back into the arms
That care about the ones like me
I'm so far down, away from the sun again

Oh no,
Yeah,
I'm gone

Theory Of a Deadman - Santa Monica


She fills my bed with gasoline
You think I would have noticed
Her mind's made up
Her love is gone
I think someone's trying to show us a sign
That even if we thought it would last
The moment would pass
My bones will break and my heart would give
Oh, it hurts to live

And I remember the day when you left for Santa Monica
You left me to remain with all your excuses for everything
And I remember the time when you left for Santa Monica
And I remember the day you told me it's over

It hurts to breathe
Well every time that you're not next to me
Her mind's made up
The girl is gone
And now I'm forced to see
I think I'm on my way
Oh, it hurts to live today
Oh and she says "Don't you wish you were dead like me?"

And I remember the day when you left for Santa Monica
You left me to remain with all your excuses for everything
And I remember the time when you left for Santa Monica
And I remember the day you told me it's over

I wanted more than this
I needed more than this
I deserve more than this
But it just won't stop
It just won't go away

I needed more than this
I wanted more than this
I asked for more than this
But it just won't stop
It just won't go away

And I remember the day when you left for Santa Monica
You left me to remain with all your excuses for everything
And I remember the time when you left it all behind
And I remember the day you told me it's over

And I remember the day when you left for Santa Monica
You left me to remain with all your excuses for everything
And I remember the time when you left for Santa Monica
Yeah, I remember the day you told me it's over

Τετάρτη 16 Μαρτίου 2011

Shinedown - Simple Man Lyrics

"Simple Man"

Well mama told me, when I was young
Said sit beside me, my only son
And listen closely to what I say
And if you do this, it'll help you some sunny day

Ahhh
Yeah it will

Or take your time don't live to fast
Troubles will come and they will pass
You'll find a woman and you'll find love
And don't forget that there's is a someone up above

[Chorus]
Be a simple kind of man
Be a something you love and understand
Baby be a simple kind of man
Oh won't you do this for me son if you can
(if you can)

Forget your lust for the rich man's gold
All that you need now is in your soul
And you can do this(oh baby)if you try
All that I want from you my son is to be satisfied

[Chorus]
And be a simple kind of man
Be a something that you love and understand
Baby be a simple kind of man
Oh won't you do this for me son if you can
(if you can)

Oh don't you worry
You'll find yourself
Follow your heart
And nothing else
And you can do this(oh baby)if you try
All that I want from you my son is to be satisfied

[Chorus]
And be a simple kind of man
Oh won't you do this for me son if you can
So baby be a simple be a simple man
Oh won't you do this for me son if you can

Breaking Benjamin - The Diary Of Jane Lyrics

"The Diary Of Jane"

If I had to
I would put myself right beside you
So let me ask
Would you like that?
Would you like that?

And I don't mind
If you say this love is the last time
So now I'll ask
Do you like that?
Do you like that?

No!

Something's getting in the way.
Something's just about to break.
I will try to find my place in the diary of Jane.
So tell me how it should be.

Try to find out what makes you tick.
As I lie down
Sore and sick.
Do you like that?
Do you like that?

There's a fine line between love and hate.
And I don't mind.
Just let me say that
I like that
I like that

Something's getting in the way.
Something's just about to break.
I will try to find my place in the diary of Jane.
As I burn another page,
As I look the other way.
I still try to find my place in the diary of Jane.
So tell me how it should be.

Desperate, I will crawl
Waiting for so long
No love, there is no love.
Die for anyone
What have I become?

Something's getting in the way.
Something's just about to break.
I will try to find my place in the diary of Jane.
As I burn another page,
As I look the other way.
I still try to find my place in the diary of Jane.

3 Doors Down - Father's Son Lyrics

In the glare of a neon sign
She laid her body down
The damned walked in beside her
And laid his money down

He said don't try to scream now
But I want this one to hurt
And tonight my pretty one
I'm gonna get my money's worth

He said they never listen
She said they'd never understand
That I don't this for pleasure
I just do it cause I can

I swear I didn't want to
And I swear I didn't know
That things like this could happen
To a 17-year old

[Chorus]
And I've bundled up all these fears inside
And I've bottled up all of this pain
And no one or nothing can take this away
But I won't let it happen again
Never again

In the haze of a smoky room
He chokes that bottle down
It's been a month since her saw her face
Underneath the blood stained gown

He thinks about that little girl
And the one he has at home
And wonders what if that was my little girl
Walkin down that road alone

[Chorus]
And I've bundled up all these fears inside
And I've bottled up all of this pain
And no one or nothing can take this away
But I won't let it happen again
Never again
Never again
No

Maybe I'm just crazy or the devil got inside
But either way my soul is gone, And I'll end this all tonight
The one hand throws the whiskey, and the other throws the gun
As he cries out to the heavens
I am not my father's son

[Chorus]
And I've bundled up all these fears inside
And I've bottled up all of this pain
And no one or nothing can take this away
But I won't let it happen again
Never again
Never again
No

Evanescence - Bring Me To Life Lyrics

"Bring Me To Life"
(feat. Paul McCoy)

how can you see into my eyes like open doors
leading you down into my core
where I’ve become so numb without a soul my spirit sleeping somewhere cold
until you find it there and lead it back home

(Wake me up)
Wake me up inside
(I can’t wake up)
Wake me up inside
(Save me)
call my name and save me from the dark
(Wake me up)
bid my blood to run
(I can’t wake up)
before I come undone
(Save me)
save me from the nothing I’ve become

now that I know what I’m without
you can't just leave me
breathe into me and make me real
bring me to life

(Wake me up)
Wake me up inside
(I can’t wake up)
Wake me up inside
(Save me)
call my name and save me from the dark
(Wake me up)
bid my blood to run
(I can’t wake up)
before I come undone
(Save me)
save me from the nothing I’ve become

Bring me to life
(I've been living a lie, there's nothing inside)
Bring me to life

frozen inside without your touch without your love darling only you are the life among the dead

all this time I can't believe I couldn't see
kept in the dark but you were there in front of me
I’ve been sleeping a thousand years it seems
got to open my eyes to everything
without a thought without a voice without a soul
don't let me die here
there must be something more
bring me to life

(Wake me up)
Wake me up inside
(I can’t wake up)
Wake me up inside
(Save me)
call my name and save me from the dark
(Wake me up)
bid my blood to run
(I can’t wake up)
before I come undone
(Save me)
save me from the nothing I’ve become

(Bring me to life)
I’ve been living a lie, there’s nothing inside
(Bring me to life)

Three Days Grace - I Hate Everything About You Lyrics

Every time we lie awake
After every hit we take
Every feeling that I get
But I haven't missed you yet

Every roommate kept awake
By every sigh and scream we make
All the feelings that I get
But I still don't miss you yet

Only when I stop to think about it

I hate everything about you
Why do I love you?
I hate everything about you
Why do I love you?

Every time we lie awake
After every hit we take
Every feeling that I get
But I haven't missed you yet

Only when I stop to think about it

I hate everything about you
Why do I love you?
I hate everything about you
Why do I love you?

Only when I stop to think about you,
I know
Only when you stop to think about me,
do you know?

I hate everything about you
Why do I love you?
You hate everything about me
Why do you love me?

I hate
You hate
I hate
You love me

I hate everything about you
Why do I love you?

Staind - It's been a while Lyrics

It's been a while
Since I could hold my head up high
and it's been a while
Since I first saw you
It's been a while
since i could stand on my own two feet again
and it's been a while
since i could call you
But everything I can't remember as fucked up as it may seem
the consequences that I've rendered
I've stretched myself beyond my means

It's been a while
since i could say that i wasn't addicted and
It's been a while
Since I could say I love myself as well and
It's been a while
Since I've gone and fucked things up just like i always do
It's been a while
But all that shit seems to disappear when i'm with you
But everything I can't remember as fucked up as it may seem
the consequences that I've rendered
I've gone and fucked things up again

Why must i feel this way?
just make this go away
just one more peaceful day

Its been awhile
Since I could lok at myself straight
and it's been awhile
since i said i'm sorry
It's been awhile
Since I've seen the way the candles light your face
It's been awhile
But I can still remember just the way you taste
But everything I can't remember as fucked up as it may seem
I know it's me i cannot blame this on my father
he did the best he could for me

It's been a while
Since I could hold my head up high
and it's been a while since i said i'm sorry

Shinedown - The Crow And The Butterfly

"The Crow And The Butterfly"

I painted your room at
Midnight, so I'd know
Yesterday was over
I put all your books on the top shelf,
Even the one with the four leaf clover
Man, I'm getting older
I took all your pictures off the wall
and wrapped them in a news paper blanket
I haven't slept in what seems like a century,
and now I can barely breathe

[Chorus]
Just like a crow chasing the butterfly
dandelions lost in the summer sky
When you and I were getting high as outer space,
I never thought you'd slip away
I guess I was just a little too late

Your words still serenade me,
Your lullabies won't let me sleep
I've never heard such a haunting melody.
Oh, it's killing me
You know I can barely breathe

[Chorus]
Just like a crow chasing the butterfly
dandelions lost in the summer sky
When you and I were getting high as outer space,
I never thought you'd slip away
I guess I was just a little too late

Just like a crow chasing the butterfly
dandelions lost in the summer sky
When you and I were getting high as outer space,
I never thought you'd slip away -

Like a crow chasing the Butterfly
dandelions lost in the summer sky
When you and I were getting high as outer space,
I never thought you'd slip away
I guess I was just a little too late

Just a little too late

Breaking Benjamin - So Cold Lyrics

"So Cold"

Crowded streets are cleared away
One by One
Hollow heroes separate
As they run

You're so cold
Keep your hand in mine
Wise men wonder while strong men die

[Chorus:]
Show me how it ends it's alright
Show me how defenseless you really are
satisfied and empty inside
Well, that's alright, let's give this another try

If you find your family, don't you cry
In this land of make-believe, dead and dry

You're so cold, but you feel alive
Lay your hand on me one last time

[Chorus x2]

It's alright [x9]

Three Days Grace - Never Too Late Lyrics

"Never Too Late"

This world will never be
What I expected
And if I don't belong
Who would have guessed it
I will not leave alone
Everything that I own
To make you feel like it's not too late
It's never too late

Even if I say
It'll be alright
Still I hear you say
You want to end your life
Now and again we try
To just stay alive
Maybe we'll turn it all around
'Cause it's not too late
It's never too late

No one will ever see
This side reflected
And if there's something wrong
Who would have guessed it
And I have left alone
Everything that I own
To make you feel like
It's not too late
It's never too late

Even if I say
It'll be alright
Still I hear you say
You want to end your life
Now and again we try
To just stay alive
Maybe we'll turn it all around
'Cause it's not too late
It's never too late

The world we knew
Won't come back
The time we've lost
Can't get back
The life we had
Won't be ours again

This world will never be
What I expected
And if I don't belong

Even if I say
It'll be alright
Still I hear you say
You want to end your life
Now and again we try
To just stay alive
Maybe we'll turn it all around
'Cause it's not too late
It's never too late
Maybe we'll turn it all around
'Cause it's not too late
It's never too late (It's never too late)
It's not too late
It's never too late
Lyrics of Haunted by Evanescence
"Haunted"

Long lost words whisper slowly to me
Still can't find what keeps me here
When all this time I've been so hollow inside
I know you're still there

Watching me, wanting me
I can feel you pull me down
Fearing you, loving you
I won't let you pull me down

Hunting you, I can smell you - alive
Your heart pounding in my head

Watching me, wanting me
I can feel you pull me down
Saving me, raping me, watching me

Watching me, wanting me
I can feel you pull me down
Fearing you... loving you
I won't let you pull me down